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The living for tomorrow questionnaire was also set in active dialogue for revision and refinement with gender researchers and sexual health education practitioners from 8 countries, in order to explore its potential for adaptable cross-cultural use as a relevant tool for stimulating gender awareness in sexual health education processes. in november 1998, with extra support from the nordic research co-operation fund norfa ; , gender researchers and sexual health educators from each of the following countries estonia, nw russia, lithuania, denmark, sweden, norway, england and croatia - met for 3 days in tallinn. we discussed, and, where deemed necessary, "reworked" the questionnaire in detail, question by question, with cross-cultural debate and input. the combination of researchers and sexual health promoters was deemed crucial to explore the complexities of what the questionnaire was aiming to do, helping focus discussions about the practical and social ; considerations that needed to take into account in its strategy and design. this strategic collaboration of researchers and sexual health promoters was seen as key to both the development and implementation possibilities of the questionnaire, as well as to ensuring that throughout the conceptualising process, findings from the study could be linked into action with young people. generating this collaboration between the eight countries aimed to strengthen dialogue and co-operation regionally while taking the living for tomorrow interrogation of gender issues into wider reflections. it opened discussions, from different cultural perspectives, of aspects of sexual health prevention and prevailing gender beliefs that are not often explored together. working in workshops that modelled the methods used in living for tomorrow's capacity building, we were, as a group, immediately involved in experiencing together the participatory, interactive ways of working that are more effective in encouraging active youth participation and mobilisation on sexual health issues. the similarities and differences in the various national responses raised interesting questions about gender traditions in different and changing societies, as well as about the "globalising" of sexual risk behaviours though common media references that all were interested to discuss. some preliminary findings from a piloting of the original questionnaire with young people on the isle of wight in england, and feedback from earlier piloting in estonia with the project teenagers ; , sweden with teenagers, undertaken in a student project ; and in norway with medical students who run school sex education programmes, with gender researchers and high school pupils ; were drawn on to stimulate discussion. Had been stolen by another soldier, and that he used one of them. he was found guilty of stealing a bottle of cologne and a watch from his roommate. the two items were estimated to be worth about 0. salang asked the judge for leniency before sentencing, saying he learned from his mistakes. his defense attorney, capt. cullen sheppard, told the court that salang never used the cards-- they stayed stored in a box in his room. while salang was waiting for trial on the charges, he had a good attitude and worked hard at and craps game download. As i get the dice ready to throw across the crap table, the other hand holding my glass of wine - i can assure you non smokers are not dead, just smoke free. Its own line of figures. that's crap. can i say crap in wj? if not change it, but i think you understand what i mean. there are few miniatures manufacturers who write good rules. it's not a slam on them, but their main focus is to sell figures. so they write rules to showcase their figures and that's fine. my approach is the opposite - i write rules so you can play them with any figures you already have. everyone has figures in their closet that they don't use any more. why? because the rules that they are used with either aren't very good or you outgrow them. so what i've done with 550 is offer miniatures manufacturers a chance to slip their figures into the 550 universe. they can even have their own rules, like alpha forge minis. this doesn't mean that they are exclusive to 550, just that you can use them in 550. now the catch is that each figure line or race that gets into 550 receives their own stats that make them truly different. not just adding a to make them tougher, but details and background that make them perform differently on the battlefield. and this is done at no real cost to the manufacturer. all i ask for is around 0 unpainted figures of each race to use in demos at conventions and they get a full page ad in the rules. this way everyone wins, the manufacturer who produces them, the gamer who has them, and me the rules writer. rich: on a similar vein, you are getting into making your own figures - what is on the cards figure-wise? ed: i more interested in writing rules, but 550 has some aliens that don't have figures. you can use proxy figures, but if you want to you can buy the actual figures. these will include grath, hishen, xeogs, razors, bugs, symons and some other alien races. but they will only be produced as needed. you won't see me making a line of space dwarves, as there are plenty of nice ones already out there. and you can use them in 550. rich: it seems a weird dichotomy to me that gamers are always eager to spend large amounts of money on troops, often adding new figures at an alarming rate with a lot of them having a good chance of never being used. but often these players baulk at having to pay even a small amount on the rules that they will use all the time. have you come across this? ed: this always makes me laugh. i was reading a thread online about how much someone would pay for a set of rules. most of them tied the price into the production quality of the rules, not what they offered in the way of content. that's like me saying i won't pay for the aliens dvd because it only costs a few cents for the disc. when you buy rules you're paying for the time it takes to write and develop them, not the binding and artwork. rich: can you explain some of the processes that you go through when designing a set of rules and outline the time it takes? ed: as for actually writing the rules, it's hard. i've found that you need to listen to your customers, mainly about how to achieve clarity and by something as simple as how the rules are laid out. you can see this in 550 as compared to older sets. much of the credit for the improvement in the layout has to go to the gamers who feed back on what we have created and download free craps. 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