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You'll discover as i have that it's a very questionnable way to shoot. again, my instruction is, forget the elbow! it will be just where it has to be. we don't hit the ball with the elbow. if we did, where it points before, during and after the shot would be important. obsession with it has messed up a lot of shooters. these, then, are two examples of how to check out a coaching instruction. other distinctions of shooting you could, likewise, investigate follow. ask your players to do this work on their own, as well in organized workouts: stance square or open ; . try it both ways and see which is more natural, comfortable, makes alignment with the shooting eye easier, etc. set point in line with eye vs. in line with ear or shoulder ; . try all the different variations and see which gives the easiest alignment, gives a quick release, minimizes variables, simplifies the motion, and seems most "repeatable." cocking the wrist and hand back before shooting vs. letting the hand just "fall" back, without the cocking, staying relaxed ; . cock the wrist and hand back strongly and shoot and see what happens. then don't cock it. let it fall back naturally without tension and see what that does. note if you cock it way back, facing vertically or beyond, the wrist has to get involved or the ball will fall off the fingers backward, and this encourages the more variable wrist and hand action. shooting at the top of the jump vs. shooting on the way up ; . shoot earlier and later and feel and see the differences. how does this timing of when you shoot affect the height of your shots? how quickly could you shoot? if you wait until the top of the jump, what happens to control, power and arch? wrist flipping vs. a pushing action with relaxed wrist and hand ; . try the different ways to release the ball -- throw, flip, push and combinations -- and see which gives the most control, freedom, predictability, etc. reaching your hand in the "cookie jar" in the follow through vs. letting the hand just flop forward, relaxed ; . experiment with this wierd instruction and see how it feels. does it make sense to reach "downward" when you want the ball to go "up?" what does it do to spin? you can take any of these areas and just "play" with it to see if you agree or not. try all the alternatives and you'll probably come up with a pretty good way to teach shooting. my swish method is a complete approach for jumpers, set shots and free throws you may choose to adopt, or you may find your own way. but find out the things that "really work!" don't accept just anything people say to do. make it your system based on your experience, a way to coach it based on what you've found to be true. invite your players to do that during the off season and i'll bet a lot of them come back with a more effective stroke. suggest they go to my website : swish22 ; and read everything that interests them. you can now view "flash" clips of shooters i've trained on my website, from indiana, chicago and california. these "bonus" clips are on the current swish dvd and casino bonus. Of hype in promotion of las vegas and its built environments. these themed environments provide safe locales for a variety of extreme or normally deviant behaviors and images including gambling and sexual titillations. these behaviors also depend on physical resources such as water and energy which are not naturally plentiful in the desert environment. thus the production of safe risks in the casino-resort industry has generated environmental impacts and risks at the level of the natural environment or ecology. an interesting physical environmental risk in the las vegas locale arises because the caliche layer in the ground prevents water from sinking deep and causes rain water to roll over it. a consequence is that floods can develop with 1 inch of rain as water descends from the west to the east of the las vegas basin. underground parkades such as the one at caesar's palace have become flooded and have left automobiles floating gottdiener et al., 1999 ; . attempts to remedy this problem pushed the hazard across the street to the imperial palace, a structure built on stilts. another interesting risk relates to pedestrian walkways and vehicular traffic. as the mega-resort architecture has become a tourist attraction, las vegas has developed a pedestrian culture on sidewalks adjacent to the aggressive and deadly vehicular culture driving the strip. thus while thousands of people throng the strip, an attempt to cross the road generates physical danger which is enhanced because police seldom charge vehicle operators who hit or kill jay-walking pedestrians. thus a movement to create pedways so that pedestrians and banal drivers can be kept separated has led to conflicts among casino organizations who battle to gain access or proximity to pedways while seeking to avoid paying some of the costs. for example, a tunnel proposed by the mirage was rejected by caesar's palace and bally's as dangerous and difficult to maintain gottdiener et al., 1999: 226 ; but ultimately the mirage paid for one tunnel and the others split the cost of 3 walkways. the flamingo hilton and the barbary coast battled over where an million pedestrian bridge would touch down, harrah's battled the sands now the venetian ; over a cooperative driveway, and other battles have emerged. clearly safe risk is a commodity or image with economic value. another important aspect of physical space and safe risk is production of safe residential spaces. the growth of las vegas as a tourist mecca and as a retirement location has resulted in a significant increase in population in the area, with las vegas becoming the fastest growing metropolis in the united states. as tourists seek safe risk in casinohotels, residents seek safe places to reside which are distant from the strip and its culture of decadence, gambling and glitz. civic normalization is thus occurring in las vegas, as new residential areas are developed and institutions of civic life are created which are essential characteristics of communities elsewhere gottdiener et al., 1999 ; . this involves transformation from a political culture oriented to business needs related to tourism and gambling to an ongoing political agenda which reflects the daily needs of residents. safe places are thus safe communities which have the social institutions and spatial 151 and vegas casino. 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